Review & Resources: The Lost Words – Robert Macfarlane & Jackie Morris (Illustrated by Jackie Morris)

‘I would go as far to describe The Lost Words as one-of-a-kind; a six-star book. It’s a book that should find itself in to the hands, hearts and minds of everyone… The Lost Words will now be rightfully found again.’

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Rating: ⭐ ⭐ ⭐ ⭐ ⭐ ⭐

Title: The Lost Words
Authors: Robert Macfarlane (@RobGMacfarlane) & Jackie Morris (@JackieMorrisArt)
Illustrator: Jackie Morris (@JackieMorrisArt)
Publisher: Hamish Hamilton (@HamishH1931)
Page count: 128
Date of publication: 5th October 2017
Series status: N/A
ISBN: 978-0241253588

Perfect for Year 2, Year 3, Year 4, Year 5 & Year 6.

#3Words3Emojis:
1. Exquisite 😍
2. Magical ✨
3. Awe-inspiring 😲


Once upon a time, words began to vanish from the language of children. They disappeared so quietly that at first almost no one noticed – until one day, they were gone.

But there is an old kind of magic for finding what is missing, and for summoning what has vanished. If the right spells are spoken, the lost words might return…


The first line(s):

Once upon a time, words began to vanish from the language of children. They disappeared so quietly that at first almost no one noticed – fading away like water on stone.


Review: The Lost Words is a complete visual joy to behold; spectacular and outstanding in all its resplendent and ‘oversized’ glory. The Lost Words reminds us to stop, stare and marvel at the natural wonders of our world all around us whilst also reconnecting us with ‘common words [and species] that are falling from common usage’ (Jackie Morris).

Gloriously illustrated by Jackie, this book combines her stunning watercolours with Robert Macfarlane’s richly captivating and evocative acrostic ‘spells’, which remind me of similar semantics and wordplay to my own favourite poet Dylan Thomas’, that are just asking to be read aloud for readers of all ages to lose themselves in the power of their words.

It’s such a landmark book, as it not only talks about environmental sustainability but about the sustainability of the words we keep in use to describe them, that’ll have a legacy which will inspire many a generation. Arguably, there’s no other book quite like this and I would go as far as to describe this book as one-of-a-kind; a six-star book.

After you’ve read and longingly explored its pages, it will be exceedingly difficult not to compare all books to the exquisite quality of The Lost Words because without a doubt, this will be one of the most beautiful books you will ever have the pleasure of holding in your hands. I hope this truly awe-inspiring, breathtaking and special book finds its way in to the hands, hearts and minds of every child, every parent, every teacher, every classroom and every school up and down the country because not having the chance for all to devour this would be a disservice to the future of society.

Owing to the incredible and harmonious collaboration between Robert & Jackie, The Lost Words will now be rightfully found again.


Today, the 5th October, is the one-year anniversary of the publication of The Lost Words and I am delighted to have been asked to host these utterly amazing resources that should be used in all classrooms:

Download The Lost Words Challenge Cards here:
https://www.teachwire.net/uploads/products/The_Lost_Words_Challenge_Cards.pdf


The Lost Words is available to order online or from any good bookshop.

This review can also be found as my nomination for Books for Topics’ ‘Recommended Books about Environmental Sustainability‘ collection.

Mr E
📚

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‘I would go as far to describe The Lost Words as one-of-a-kind; a six-star book. It’s a book that should find itself in to the hands, hearts and minds of everyone… The Lost Words will now be rightfully found again.’

Cover Reveal AND exclusive inside illustrations! The Boy Who Lived with Dragons (The Boy Who Grew Dragons: Book 2) – Andy Shepherd (Illustrated by Sara Ogilvie)

I’m super excited to reveal today the cover AND exclusive inside illustrations of Andy Shepherd’s second in the series, ‘The Boy Who Lived with Dragons’ which will be published on 6th September 2018 by Piccadily Press.

The Boy Who Lived with Dragons – Andy Shepherd

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The second book in a wonderfully funny and sparky series illustrated by award-winning artist Sara Ogilvie.

Dragons are a lot more trouble than cucumbers.

In ‘The Boy Who Grew Dragons’, Tomas finds a dragon fruit tree in his Grandad’s garden. When a tiny dragon bursts out of one of the fruit, he discovers just how much more trouble they are. But it’s not all about the chaos and exploding poo. The first time Flicker curls his tail around Tomas’ wrist and looks at him with those bright diamond eyes, Tomas finds there’s a whole lot more magic in a dragon.

Tomas has to learn to look after Flicker – and quickly. And then more dragonfruits appear on the tree. And Tomas is officially growing dragons…

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Tomas tucked up with Flicker! (from Chapter 8)

Now in this second book, ‘The Boy Who Lived With Dragons’, we find out what happens when Tomas’ friends get in on the action with their own dragons. Add to that a grumpy neighbour and a nosy arch nemesis, who may just have a secret of his own, things could be about to get too hot to handle!

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Kat and Kai in a game of Blast Attack! (from Chapter 9)


Andy Shepherd

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Andy Shepherd is a children’s writer working on middle-grade fiction and picture books. She lives near Cambridge with her husband, two sons and their border collie.

You can find out more about Andy by visiting her website or follow her on Twitter @andyjshepherd.


The wonderful cover artwork and illustrations in the books have been done by Sara Ogilvie.

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You can find out more about Sara and see her lovely illustrations at her website.

Disclaimer: – Please note, all dragon-growing is undertaken entirely at your own risk and Andy cannot be held responsible for any damage your dragon may cause.


Huge thanks to Andy, Tina and all at Piccadilly Press for inviting me to host the cover reveal, I can’t wait to see this on the shelves along with The Boy Who Grew Dragons and get my hands on a copy!

Andy will also be visiting The Reader Teacher soon on her upcoming blog tour for The Boy Who Grew Dragons where I’ll be reviewing The Boy Who Grew Dragons, she’ll be answering my questions in an Author Q&A and there’ll be a giveaway of The Boy Who Grew Dragons!

Mr E
🐲📚🐉


The Boy Who Lived with Dragons is available to pre-order now online or from any good bookshop.

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First in the series, The Boy Who Lived with Dragons is available to pre-order now online or from any good bookshop.

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Review & Author Q&A: Running on Empty – S. E. Durrant (Illustrated by Rob Biddulph)

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‘A remarkable, revealing and realistic read that was every bit as brilliant as I hoped it would be in painting a powerfully poignant and at times, painfully honest picture of life where real heroes don’t wear capes. And sometimes, they don’t wear the correct-sized trainers either… This one will run and run.’

Rating: ⭐ ⭐ ⭐ ⭐ ⭐

Title: Running on Empty
Author: S. E. Durrant (@SEDurrant)
Illustrator (Cover): Rob Biddulph (@RobBiddulph)
Publisher: Nosy Crow (@NosyCrow/@NosyCrowBooks)
Page count: 208
Date of publication: 1st March 2018
Series status: N/A
ISBN: 978-1510102118

Perfect for Year 5, Year 6 & Year 7.

#3Words3Emojis:
1. Remarkable ☺️
2. Revealing 😥
3. Real 👟


The thing that makes me different from other eleven-year-old boys, apart from my fantastic running ability, is that my parents have learning difficulties.

It’s no big deal for me. Really it isn’t. I don’t look after them.

We look after each other.

A story of family, friendship and trainers, Running on Empty will grip you till the finishing line…


The first line:

The most amazing thing I ever saw was Usain Bolt winning the 100 metres at the London Olympics.


Review: Living in East London, a quick stretch of the legs away from the hallowed track of the Olympic Stadium, AJ is a boy who was born to run. He lives, sleeps, eats, drinks and breathes running. After watching his idol Usain Bolt – albeit on TV – create history at the 2012 London Olympics by setting the world record, AJ spends his every waking moment trying to emulate his hero. He knows he’s different for two reasons. Different in that he has a terrific talent. But also different in that he leads a life unlike his friends, his peers and the people he sees around him, taking on the role and responsibility of a young carer by looking after his parents who have learning difficulties.

Due to the unconditional love, encouragement and support of his beloved grandfather, AJ’s talent develops in to something more than a talent. However his world starts to unravel as he is forced to adjust to life after the death of his grandfather who was more than his steadying influence, more like his rock. Roles are reversed as AJ soon recognises that his grandfather did more than he realised by keeping it all together for him and his parents, as he took charge of the running of the house and paying the bills. Suddenly AJ now finds himself trying to follow Grandad’s lead but with more responsibility than he could ever imagine bestowed upon his small shoulders.

When you’ve outgrown your trainers, you don’t want to run the risk of alerting social services to the situation and there’s no money left to put in the electricity meter – let alone enough to buy a new pair – it is clear that AJ will have a tough and tumultuous time to come trying to cope with it all. Although it seems that AJ’s grandfather cannot be replaced, his spirit does indeed live on in the security and stability that AJ seeks to provide for his parents. It is also here where his grandfather’s comforting words will live long in the memory: ‘Sometimes people think being different is a problem but actually it can be a very nice thing.’

Written in a series of frank, sincere and heart-to-heart conversational exchanges, we really start to feel for AJ as he breaks down the fourth wall between himself and the reader unveiling elements of what life truly feels like when living on the edge. He talks about what at first seem like unsurmountable hurdles to him; problems of transition between school and home life, the overwhelming sense of responsibility now resting upon his shoulders and trying to keep his family on track. But can he overcome these continual challenges that he is faced with or will it all come crashing down around him…? We begin to notice that although AJ runs as a hobby, it is also acts as a form of escapism for him and a way of channeling his grief, his anxiety, his worries and the instability of the situation he finds himself in.

An emphatically empathetic and deeply moving story that’s both attentively and compassionately written, Running on Empty has all the characteristic hallmarks of Sue’s brilliantly endearing style of writing that showcases the unassuming, unseen and unsung heroes of this world, and she – after the deserved success of Little Bits of Sky – achieves the gold medal standard in this genre once again.

It often brought a lump to the throat and tugged at the heartstrings as its laced with tinges of despair and uncertainty. For instance, the chapter where AJ rummages through the box of lost-property trainers particularly struck me at the time and still stays stuck with me, long after reading this. Though, it so equally often made me smile and feel remotely hopeful for AJ. A real emotional rollercoaster of a read where big-hearted characters run the show and the true power of relationships; of finding help in the unlikeliest of people and of total togetherness is rightfully placed at its core.

This book proves that sometimes that just managing and getting by in life in the long run is more of a marathon than a 100m sprint and that real heroes don’t have to wear capes. In fact, sometimes, they don’t – and can’t – even wear the correct-sized trainers.

‘A remarkable, revealing and realistic read that was every bit as brilliant as I hoped it would be in painting a powerfully poignant and at times, painfully honest picture of life where real heroes don’t wear capes. And sometimes, they don’t wear the correct-sized trainers either… This one will run and run.’

Big thanks to Sue Durrant and Clare Hall-Craggs at Nosy Crow for sending me a copy of this wonderfully written book!

Running on Empty is available to order online or from any good bookshop.

Mr E
📚

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Author Q&A: S. E. Durrant (SD) with The Reader Teacher (TRT)

I’m very delighted to welcome Sue Durrant to The Reader Teacher today where she’ll be answering my questions about Running on Empty, her reading and writing habits, using her book in the classroom and her favourite footwear!

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S. E. Durrant lives in Brighton with her husband and children. She has wanted to be a writer since she was a child and has always squeezed writing in around the edges of her life. She’s worked on a stall at Covent Garden market, sold paintings in Venice and taught art to children. In order to write AJ’s story, she extensively researched what life is like for child carers, and children growing up in the shadow of social services.


Running on Empty

TRT: At The Reader Teacher, for my reviews, I describe books in #3Words3Emojis.
I’ve described Running on Empty as 1. Remarkable 😊 Revealing 😥 3. Trainers 👟, which 3 adjectives and 3 corresponding emojis would you choose to best describe it?
SD: 1. Optimistic 😊  2. Realistic  💯  3. Empathetic 🙂

TRT: What books, people, ideas and inspirations have helped you to write Running on Empty?
SD: I was inspired to write Running on Empty after reading an article about a parent who had learning difficulties. I began to think about issues learning difficulty parents might face and to wonder how a child of learning difficulty parents might view our often unkind, impatient world. My protagonist, AJ, is eleven years old and has just begun secondary school; his very supportive grandad has died unexpectedly and AJ briefly tries to step into his shoes and manage the family affairs.

I have seen many children make the transition to secondary school, through my own children, and I wanted to explore the likelihood of AJ’s problems going unnoticed in the jump from a small primary to a large secondary. I also think eleven is such an interesting age, as children try to work out who they think they want to be, yet are still very much tied to childhood, veering between self-confidence and embarrassment in moments.

I was also inspired by the 2012 Olympic Games in East London, which is where my book is set. I was lucky enough to spend a day at the 2012 Paralympics Games and found the atmosphere inspirational. AJ and his family watch Usain Bolt win the 100m gold and that moment becomes a source of hope for AJ, who is a very keen runner.

TRT: What do you hope readers will get from reading Running on Empty?
SD: I hope readers will empathise with AJ, his devotion to running and his resilience in the face of difficulties. I also very much hope they find him funny, quirky and relatable.

TRT: If you could build your own pair of trainers, what would they look like? What special features would they have?
SD: Unlike AJ, I am not a runner so my dream trainers would have some special component that would enable me to get up hills.

TRT: What is your favourite footwear that you own?
SD: My favourite footwear, though not beautiful, are my walking boots – when I put them on I know I am going somewhere lovely.

TRT: If you were to choose the character that is most like you from Running on Empty, who would it be and why?
SD: I’m not sure any of the characters are like me though perhaps AJ’s relationship with his mother in some way reflects my relationship with my son when he was eleven/twelve years old.

TRT: What kinds of research did you do regarding young carers and how did this help when writing Running on Empty?
SD: I visited a group of parents with learning difficulties who helped me understand some of the issues they face, for example the huge amount of paperwork their children bring home from school. I also spoke with a boy whose parents have learning difficulties.

Reading and Writing

TRT: What first attracted you to writing?
SD: I have written for as long as I can remember, I think as a way of trying to make sense of the world, and I would continue write regardless of whether my work was published. I love the fact I can create situations and try to figure out what they mean.

TRT: Which parts of writing do you find energise you and which parts do you find exhaust you?
SD: I find the beginning of writing a new book exhausting, particularly trying to work out some sort of plot. The most energising part for me is when I have found the voice of my protagonist and can enjoy trying to imagine the world through his/her eyes.

TRT: What is your favourite book from childhood?
SD: My favourite book from childhood is The Silver Sword by Ian Serraillier. I love the way that, against the odds, the children find their way to safety and a future they can have some choice in.

TRT: When you were a child, can you remember contacting any authors or them ever visiting your school and if so, did this inspire you?
SD: We didn’t have visiting authors when I was at school and I thought becoming an author was completely unattainable and involved some kind of magic.  It can only be a good thing for children to meet authors in schools and discover they are very ordinary human beings and no magic is involved.

TRT: Currently, we seem to be living in a golden age of books. What are some of the interesting things/things you like that you’re seeing in other children’s books today?
SD: I love the fact that a greater variety of books is being published. I think the more child readers can see themselves reflected in stories the better and more interesting for everyone.

TRT: I know you are heavily invested and focused on promoting Running on Empty but can you tell us about any stories you’re working on or what you want to work on next? Do you plan to focus on writing more books for children or do you have something entirely different lined up outside of the publishing world?
SD: I have just written a short story which will be included in the new edition of Little Bits of Sky which will be published in July.  This short story is set in 1947 when Glenda Hyacinth arrives at the orphanage, Skilly House.  Glenda is the girl whose letter Ira finds over forty years later.

I’m also working on my next children’s book. It is early days yet and I’m still struggling with the plot but it will be set in Brighton where I now live and will have an eleven year old female protagonist.


Running on Empty and Teaching

TRT: Could you suggest ways that your book could be used in the classroom for the many teachers that will read this?
SD: Running on Empty could be used as a starting point for discussing grief, poverty, running, resilience, school transition and day to day embarrassment of being eleven years old.

TRT: When reading Running on Empty, I particularly liked the scenes between AJ and his PE teacher, Mr Higgins. When researching young carers, what were your experiences of visiting schools and speaking to teachers? What did you find out? Did you test out your ideas for Running on Empty on them?
SD: I didn’t test my book on teachers but as a parent I have had a lot of recent experience of PE teachers and have always found them remarkably dedicated and energetic. The PE teacher in Running on Empty starts out as a bit of a caricature, which I suppose is how time-pressed teachers often appear, though in time he shows a more human side.  I enjoyed writing the scenes between Mr Higgins and AJ – they are each trying to gauge what each other think without giving too much away.

TRT: If you were to ‘pitch’ your books to teachers in a sentence or two for them to use it in their classrooms or for parents to choose to read it at home, how would you sum them up?

SD: I find it hard to pitch my own books so have chosen two lovely reviews:

Little Bits of Sky
– This story of looked-after siblings of 9 and 11.. is instantly engaging, sustaining emotional involvement throughout… this is an uplifting and convincing evocation of time and place, of two vivid young lives, and of the hope that kindness can offer. Nicolette Jones, The Sunday Times

Running on Empty – AJ is a boy who just loves to run. Swept away on the belief and hope that anyone can achieve their dream after watching the 2012 London Olympics, all he wants to do is run on the hallowed track where he saw his idol Usain Bolt win gold… Incredibly emotional and powerful storytelling makes ‘Running On Empty’ a truly, compelling read. bookloverjo.wordpress.com

TRT: For those teachers reading this Q&A and would like to enquire about arranging the opportunity of a school visit from yourself, how would it be best to contact you regarding this?
SD: Through Twitter @SEDurrant or via my publisher Nosy Crow @NosyCrow/@NosyCrowBooks.

Two more before you go!

TRT: What has an interviewer/blogger never asked you before, that you always wished you could answer?
SD: I’ve never been asked my favourite book but if I was I would choose Wuthering Heights by Emily Bronte.

TRT: Finally, can you share with our readers something about yourself that they might be surprised to learn?
SD: I have never given anyone a full box of chocolates.

TRT: Thank you so much for stopping off at The Reader Teacher today, Sue. I wish you every success with Running on Empty!

You can find out more about Sue by visiting her publisher’s website or following her on Twitter.

Author Q&A & Giveaway: Eloise Williams (Elen’s Island/Gaslight/Seaglass)

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I am honoured to welcome Eloise Williams, award-winning author of such wonderful books as GaslightElen’s Island and Seaglass to The Reader Teacher today.

To celebrate the cover reveal of her forthcoming novel Seaglass (which I am so excited about reading and reviewing!) which is out in September 2018 and also on the first birthday of Gaslight, Eloise is here to answer more than a few of my questions about Seaglass, about her reading and writing habits and about using her books in the classroom.

The giveaway follows on after the ‘Author Q&A’ interview!


Author Q&A: Eloise Williams (EW) with The Reader Teacher (TRT)

Seaglass

TRT: On The Reader Teacher, I describe books using #3Words3Emojis. Which 3 adjectives and 3 corresponding emojis would you choose to best describe Seaglass?
EW: 1. Ghostly 👻 2. Mysterious 🕵️ 3. Thrilling 😲

TRT: When recommending Seaglass to others on social media, I have had lots of replies (including from other authors such as Emma Carroll) commenting on how lovely a title it is. How did you choose and end up settling on such a wonderful title? Were there any other options that came a close second?
EW: How lovely! Emma Carroll is such a gorgeous and supportive author and is quite a bit brilliant with words herself so that means a lot! There were a few titles bandied about and they all contained references to sea glass. Sometimes simplicity is best.

TRT: So far we know that Seaglass will be ‘a salty, windswept, seaside ghost story for age 9+ will be published in 2018 to coincide with Wales’ Year of the Sea!’
Can you tell us any more than that at the moment about Seaglass?
EW: Here’s the information Firefly Press are putting out.
I’m being very careful not to give the plot away!

‘She will come for you.’

Lark struggles to settle when her Roma family moves to a new site by the sea. Her mother is ill, her little sister Snow isn’t talking and she has fallen out with her best friend. She distracts herself looking for sea glass on the foggy beach. But is someone following her? Who is the figure that Snow keeps drawing, the girl in green? Do the locals who tell them to leave the site just hate travellers, or is there something about the history of the beach that Lark needs to find out? A story that perfectly combines the chill of a ghost story with the warmth of a family tale about standing up for each other and being brave.

TRT: What books, people, ideas and inspirations have helped you to write Seaglass?EW: Where to begin? All the ghost stories I’ve ever read. From one of my very first books ‘The Worried Ghost’ by Seymour Reit to much later books read as an adult. I have a huge support network of family, friends and other authors. They help me to keep writing. My grandmother, who was a lovely woman and is still very much missed, was a driving force for this story too. Ideas and inspiration mostly came from the young people I work with and the landscape I live in. They mingled, knitted, wove together, fleshed out the story. When I got stuck along the way a young person would say something which would spark my imagination, or a storm would ignite an idea, or a beautiful jay would land in the garden and I’d be writing again. It seems strange to put children, storms and birds together but it’s the truth and truth is a big inspiration for this book too.

TRT: What do you hope readers will get from reading Seaglass?
EW: Ooh… difficult without giving too much away… Firstly, most importantly, a really good read. Secondly, that we are capable of change. Is that vague enough? I think so, yes.

TRT: The cover was revealed yesterday (Thursday 5th April) for Seaglass, can you tell us a little more about its creation or conception?
EW: Both the cover for Seaglass and for Gaslight were designed by Anne Glenn. I’m very lucky that Anne and Firefly Press take my views into consideration when it comes to cover designs. We discussed both of these covers closely and I can’t tell you how thrilled I am with them! I think both depict beautifully the essence of the stories in the pages.

Reading and Writing

TRT: What first attracted you to writing?
EW: The creativity of it. I was an actor for a long time and it meant I was consistently waiting to be given a role so that I could be creative. With writing I can be creative anywhere and at any time. It’s very freeing.

TRT: Where’s your favourite place to write and why?
EW: I have a writing shed of sorts. I often have to climb over a lawnmower to actually get to my desk but it’s lovely once I’ve made it. I can hear the sea from there, watch a mouse scurrying across the garden and the birds having a wash in the birdbath.
I also write everywhere else!
On the beach, in bed, at the kitchen table, in cafes, libraries, on trains…

TRT: Which parts of writing do you find energise you and which parts do you find exhaust you?
EW: Energising things are creating the story and characters. Tossing ideas about and playing with words.  Inventing, wondering, deliberating, the actual writing. Living in an imaginary world.

Exhausting. Elements of the business side of writing can be competitive and I’m just not. Recognition for a tale well told is wonderful, of course, but I want everyone to do well.

 TRT: What is your favourite book from childhood and why?
EW: Without a doubt it’s The Lion, the Witch and the Wardrobe. It opened my mind to possibility. Magical worlds just around the corner. Lands where children were courageous and won battles. All that and it SNOWED almost all the time!

TRT: When you were a child, can you remember contacting any authors or them ever visiting your school and if so, did this inspire you?
EW: No! None at all. Being an author was something otherworldly. I believed in Narnia more than I believed in my chances of being an author. Children, schools and authors get fabulous opportunities to connect with each other now and that’s such an inspiring thing. Working with young people always makes me determined to keep improving my writing so that my stories can be of the best quality I am capable of creating.

TRT: Currently, we seem to be living in a golden age of books. What are some of the interesting things or things you like that you’re seeing in other children’s books today?
EW: I am constantly astonished by the amount of talent in children’s literature. I like seeing everything! There are so many writers creating work with such passion and excellence. We are all in it together. The more writing, art, creativity we all put out there, the more beautiful the world is.

TRT: I know you are heavily invested in writing and focused on promoting Seaglass but can you tell us about anything else you’re working on or what you want to work on after Seaglass? Do you plan to focus on writing more books for children or do you have something entirely different lined up inside or outside of the publishing world?
EW: I am always working on something else. At the moment I have four books for young people in very early stages so it’s a question of deciding which one to focus on. I’m excellent at starting writing books but not so good at finishing them. I’d also like to do something crazy with my life! I have no idea what so suggestions on a postcard please…

Teaching

TRT: I know that you often work in schools yourself, are you testing out the ideas for Seaglass on pupils or teachers?
EW: I’ve tested out the first couple of pages of Seaglass with a few schools now. It is the most nerve-wracking experience you can possibly imagine. So far, they’ve given it a huge thumbs-up, which is a relief!

TRT: Lots of teachers are using Gaslight in the classroom to complement their teaching of the Victorians. Could you suggest ways that Seaglass could be used in the classroom for the many teachers that will read this?
EW: Some key elements are: Inclusion. A sense of belonging. Bullying. Anger. Friendship. Wildlife and nature. Facing fears. There are other themes, but I can’t disclose them without giving away the story!

TRT: If you were to ‘pitch’ your books to teachers for them to use in their classrooms or for parents to choose to read them at home, how would you sum them up?
EW: Elen’s Island –  ‘A delightful, magical tale full of mystery, intrigue and the unknown.’ Book Lover Jo.
Gaslight – ‘A deliciously dark romp through the backstreets of Victorian Cardiff.’ Emma Carroll.
Seaglass – ‘You are trying to get me to give away the plot again aren’t you?’ Eloise Williams.

TRT: For those teachers reading this Q&A and would like to enquire about arranging the opportunity of a school visit from yourself, how would it be best to contact you regarding this?
EW: I love working in schools and have a contact page on my website www.eloisewilliams.com

General

TRT: What has an interviewer/blogger never asked you before, that you always wished you could answer?
EW: I’d like to be asked if I’ve touched the rocking chair from the stage show of ‘The Woman in Black.’ Answer: Yes, I have. Eek!

TRT: Finally, can you share with our readers something about yourself that they might be surprised to learn?
EW: I share my birthday with Hans Christian Andersen and Adrian Mole.

TRT: Thank you ever so much for taking the time to answer my questions today, Eloise!

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Eloise was born in Cardiff and grew up in Llantrisant. She now lives in Saundersfoot, Pembrokeshire, very close to the beach where she walks her dog Watson Jones and collects sea glass with her artist husband, Guy Manning.

She worked in the theatre in various odd jobs before going on to study Drama at The Royal Welsh College of Music and Drama and Guildford School of Acting. After working for over ten years as an actor, she decided to change path a little and take a Masters in Creative Writing at Swansea University.

Her first book was Elen’s Island, published in 2015.

Her second novel, a Victorian Middle Grade thriller, Gaslight, was published in April 2017.


Giveaway!

So to celebrate Gaslight being one and the cover reveal of Seaglass, I am delighted to say that Eloise has kindly given me a signed copy of Gaslight AND an original postcard sized oil-painting of the view from the beach which inspired Seaglass – created by Guy Manning who illustrates inside the books – to giveaway to one of my followers on Twitter. If you’d like a chance of winning this superb prize, simply retweet (RT) this tweet!

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Guy has also painted 365 consecutive paintings of Pembrokeshire over 365 days which you can see here at https://www.postcardsfrompembrokeshire.com/


 

Review: When the Mountains Roared – Jess Butterworth (Illustrated by Rob Biddulph)

‘A stunningly compelling & evocative tale that surpasses far beyond the highest of expectations, carrying with it an all-important message of preservation; of the potency of poaching; and of being at peace with the wild and the world; that will live long not only in the minds, but also in the hearts of its readers.’

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Rating: ⭐ ⭐ ⭐ ⭐ ⭐

Title: When the Mountains Roared
Author: Jess Butterworth (@J_T_Butterworth)
Illustrator (Cover): Rob Biddulph (@RobBiddulph)
Publisher: Orion Children’s Books (@the_orionstar) / Hachette Kids (@HachetteKids)
Page count: 288
Date of publication: 5th April 2018
Series status: N/A
ISBN: 978-1510102118

Perfect for Year 4, Year 5, Year 6 & Year 7.

#3Words3Emojis:
1. Evocative 😥
2. Stirring ☺️
3. Conservation 🐾


When Ruby’s dad uproots her from Australia to set up a hotel in the mountains of India, Ruby is devastated. Not only are they living in the middle of the wilderness surrounded by scorpions, bears and leopards, but Ruby is sure that India will never truly feel like home – not without her mum there. 

Ever since her mum died, Ruby has been afraid. Of cars. Of the dark. Of going to sleep and never waking up. 

But then the last remaining leopards of the mountain are threatened and everything changes. Ruby vows to do all she can to protect them – if only she can overcome her fears…


The first line:

I duck low to the ground and creep forwards, following the two men and the boy ahead. / I know something’s wrong as soon as I step through the front door.


Review: Following the very much deserved success of Jess’ richly atmospheric and accomplished debut Running on the Roof of the World (which I reviewed here as my fiction choice for Books for Topics’ Best Books of 2017), she returns on familiar ground this year with what I’m sure will be another roaring success, When the Mountains Roared.

Heralding her Himalayan heritage, real-life inspirations and childhood experiences, Jess once again vibrantly and beautifully realises the lush, mountain landscapes complete with their soaring scenery and diverse range of flora and fauna but this story starts itself in a wholly contrasting way…

My fingers come away deep red.
My breath catches.
Blood.
I wipe my shaky hands on my trousers. There’s a leopard out there, injured.
And I have to find it before they do.

After a sudden flashback – later on reencountered in the story – we meet Ruby; a lost soul reeling from the sudden death of her mother, with no control over where she’ll find herself living in the world from one minute to the next and wishing for some stability, some routine, some normality and somewhere to call home.

Unfortunately or maybe fortunately for her, she finds herself having absolutely none of that. As facing yet more domestic and homely upheaval, the whole family – that’s Ruby, Dad, Grandma and Polly (her dog) along with an altogether unexpected animal companion – have to leave Australia in the dead of night whilst evading Dad’s ‘friends’ whom he owes money to.

Another new start. Another new country. A new hotel?

Another new start for Ruby this time leads the family this time to the dizzying heights of the Indian mountains where Dad has taken over the running of a hotel but things aren’t quite what they first imagined. A dilapidated building that only serves to exacerbate Ruby’s fears and the surrounding wildlife is even more on the scary side as snakes and scorpions scuttle around her and a bear banging on her door in the middle of the night suggests.  But all is not lost as Ruby makes an important discovery that could change her life forever…

The unseen, unscrupulous and often unknown world to many of us of the fight against poaching is highlighted and brought immediately into focus. This is where this book helps to provide a subtle and empathetic exploration in to the endless and immeasurable myriad of problems associated with it, whilst also providing the reader with more than a glimmer of hope in its resolution. This tale also has lots of educational potential and could be used in schools as a starting point for discussions on animal rights, endangered animals and the risk of extinction which is particularly relevant at this recent time of the death of the last male northern white rhinoceros in Kenya.

Ruby is most definitely her grandmother’s granddaughter all over. It’s her grandmother’s curiosity, stubbornness and willpower that’s been instilled within her that really makes Ruby take charge of the situation that she finds herself living in and to try her utmost, with her grandmother’s help, to seek a resolution. Ruby must not only fight her fears but stand up for what she truly believes in even when it appears that most around her, including her nearest and dearest, don’t. The future of these animals rests on Ruby’s shoulders.

Meeting Ruby at the beginning, she’s very much a different girl to how she started. She was subdued: a shadow of herself, pulled from pillar to post and fearing the utmost worst of every situation. However by the end of WtMR, she has begun to overcome her deepest fears and developed into someone who’s mother’s steely determination and spirit lives on within her.

Jess’ books are fast becoming favourites for many and she is ensuring that she is seen as a stand-out talent with her incredibly original style of writing. Culturally enriching, she really imbues her story writing with her own life experiences as somebody who’s been brought up in the UK but is still very much rooted in the Himalayas as well. I really gain the sense that writing a book – particularly this one – for Jess is increasingly more than just writing a book. Not only is it a way of highlighting a vitally important issue or a message but it is also about reliving the magic of moments that have become memories, of which I think your grandmother would be immensely proud, Jess.

That’s why it is such a stunningly compelling & evocative read that surpasses far beyond the highest of expectations, carrying with it an all-important message of preservation; of the potency of poaching; and of being at peace with the wild and the world; that I hope will live long not only in the minds, but also in the hearts of its readers.

If you’re not already a huge fan of Jess and her books, then I can guarantee that you certainly will be after this one!

‘A stunningly compelling & evocative tale that surpasses far beyond the highest of expectations, carrying with it an all-important message of preservation; of the potency of poaching; and of being at peace with the wild and the world; that will live long not only in the minds, but also in the hearts of its readers.’

Big thanks to Jess and her team at Orion Children’s Books and Hachette for sending me an advance copy of this beautifully written book!

This book is out in the wild today on the 5th April!

When the Mountains Roared is available to order now online or from any good bookshop.

Mr E
📚

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Blog Tour: Review: Nimesh the Adventurer – Ranjit Singh (Illustrated by Mehrdokht Amini)

‘Turning the ordinary in to the extraordinary… this book is a true visual delight that is sure to ignite the imaginations of both young and old taking them on a journey of their mind’s eye where there’s no end to the possibilities’.

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Rating: ⭐ ⭐ ⭐ ⭐ ⭐

Title: Nimesh the Adventurer
Author: Ranjit Singh (@RanjittheAuthor)
Illustrator: Mehrdokht Amini (Website)
Publisher: Lantana Publishing (@lantanapub)
Page count: 32
Date of publication: 5th April 2018
Series status: N/A
ISBN: 978-1911373247

Perfect for Reception, Year 1, Year 2 & Year 3.

#3Words3Emojis:
1. Imaginative 💭
2. Extraordinary 😃
3. Heartening 💖


Nimesh is walking home from school.
Except…there happens to be a shark in the corridor.
And a dragon in the library!
And why would crossing the road lead to the North Pole?
In this fun-filled adventure, Nimesh is just walking from school… isn’t he?


The first line(s):

Hello Nimesh, is school over?
School? My friend, this is not a school! It’s an ancient cave, and shhhh!
Or you’ll wake…


Nimesh-the-Adventurer-spread-1Review: Join Nimesh on his otherwise ordinary walk home from school that soon becomes an astonishing adventure of amazement. Turning pretty ordinary objects, people and places in to the magnificent, the wonderful and the extraordinary, Nimesh becomes the adventurer he so wants to be.

To Nimesh, the world turns into the biggest blank canvas to his limitless imagination where dreaming can take him absolutely anywhere he wants to go.

It is a true visual delight that combines Mehrdokht’s illustrations and collage with Ranjit’s words in a way that is sure to ignite the imaginations of young and old and take them on a journey of their mind’s eye where there’s no end to the possibilities.

Nimesh-the-Adventurer-review-copy-8Recently, I attended an event where I had the pleasure of hearing triple laureates, Lauren Child (Waterstones’ UK Children’s Laureate); Casia William (Bardd Plant Cymru/Welsh-language Children’s Laureate) and Sophie McKeand (Young People’s Laureate of Wales) speak about inspiring a love of literature amongst children with a renewed sense of focus upon creativity and a time to dream.

Lauren referenced inspiration coming – as lots and lots of tiny fragments – from everywhere and everyone and that having that time to dream creatively makes those fragments come together and begin to collide, in her case to form the basis for a story. Otherwise those fragments and ideas lay dormant; untouched and unfulfilled. This is another reason why books like Nimesh the Adventurer that encourage imaginative and creative thinking are very much-needed, and, above all, so important to society.

I can really imagine children in class and at home losing themselves deep within these pages; allowing their imaginations to soar and dreaming big. It is the perfect story to share before home time, as every child will be wanting to recreate their own adventures on their way home after reading this. It will also take adult readers back to a carefree time where dreaming big was a natural, normal and daily occurrence and remind them that it so should still be. This would make a very worthy addition to any classroom or school library really encapsulating the power of awe, excitement and wonder all rolled in to one.

Imagination and curiosity is a fragile thing and should be nurtured, encouraged and inspired at each and every opportunity. So next time you’re out and about, ask your children in class and at home what do they see when they look at a classroom? A corridor? A road? A street? A park? A city? Or a line of trees? and see if they see things a little differently, like Nimesh, too! If they don’t, here’s your chance to use this book to open up a land of new opportunity to them!

With more books like this absolute gem to come, Lantana Publishing are certainly a publisher to watch as their catalogue grows and grows.


‘Turning the ordinary in to the extraordinary… this book is a true visual delight that is sure to ignite the imaginations of both young and old taking them on a journey of their mind’s eye where there’s no end to the possibilities’.

Big thanks to Katrina at Lantana Publishing for sending me a copy of this beautiful book and inviting me to take part in Nimesh the Adventurer’s blog tour!

You can imagine it because Nimesh the Adventurer is out today and available to order online or from any good bookshop.

Mr E
📚

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Blog Tour: Review: Planet Stan – Elaine Wickson (Illustrated by Chris Judge) & Guest Post: Infographic: A visual representation of information or data, as a chart, diagram or image – Elaine Wickson

‘A highly entertaining ad-VENN-ture that’s loveably BAR-my with hilarity, humour and hap-PIE-ness in all the right places… surely making it a serious (or should I say, not-so-serious!!!) contender for the Lollies (Laugh Out Loud Book Awards) 2018.’

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Rating: ⭐ ⭐ ⭐ ⭐ ⭐

Title: Planet Stan
Poets: Elaine Wickson (@elainewickson)
Illustrator: Chris Judge (chrisjudge)
Publisher: OUP Oxford Children’s (@OUPChildrens)
Page count: 240
Date of publication: 5th April 2018
Series status: First in a series of 3!
ISBN: 978-0192759047

Perfect for Year 4, Year 5 & Year 6.

#3Words3Emojis:
1. Hilarious 😁
2. Out-of-this-world 🌍
3. Chart-tastic! 📊


SOMETIMES the only way to make any sense of my life is to put it all into charts and diagrams . . . BUT even that just makes me realize how far away from normal my family is, especially my little brother Fred!

I hope that you’ll find some useful survival tips in this book, but if not, then at least it’ll cheer you up to know your life is considerably less chaotic than mine!


The first line(s):
Mum! Fred’s been keeping snails under my bed again…
They say we’re all made of stardust.’


Review:
Welcome to Stan’s universe! As the first line suggests, Stan’s life is anything but usual. With a younger brother, Fred – who Mum describes as an ‘effervescent force’ – leaving snails under Stan’s bed and ladybirds in his lunchbox; squeezing toothpaste in his slippers; licking all the crisps; chucking Stan’s pants out the window and cutting holes in his favourite T-shirt AND that’s not all as the list could go on and on and on… you can see why Stan often finds himself in quite a predicament.

To help make some sort of sense of it, Stan uses a mix of charts, diagrams and infographics to explain everything. And when I say everything, I mean everything. Ranging from a ‘cross-section of [his] younger bruv’s brain’ to a Venn diagram of the ‘common (or should I say not-so-common) multiples’ between him and his out-of-this-world brother, and even his ‘My General State of Mind’ sliding scale on each page.

For as long as he can remember (and as long as he can remember asking Mum for one!), Stan has wanted a telescope because he loves everything space. Just as Stan is obsessed with space, Fred adores dinosaurs. In his case, one particular dinosaur exhibit at the museum named Rory who is not only part of Camford Museum’s history but is also part of the residents’ own history as he’s long been there since they were growing up. However unfortunately for Fred, he hears news that dearly-loved Rory’s skeleton is going to be removed from the museum sending him in to meltdown…

Whilst Stan tries his best to look after Fred and lift his spirits AND keep his group of equally disorderly friends on task with their entry for the science competition with first prize being THAT telescope, both his and Rory’s passions in life force the two of them to work together. But will Stan complete Operation SWAT (Stanley Wins a Telescope) in time? And does he end up feeling ‘Over the moon’ or in a ‘Black Hole of Doom’?

Sprinkled with fantastical space facts aplenty with Stan providing a social commentary far beyond his years and reminiscent of a young Sheldon Cooper, it’s a maths, science and infographic fan’s dream of a read. As it’s more than just a read. Elaine, with the help of illustrator Chris Judge’s larger-than-life infographics, really shows the power of how applying infographics in a inventive and innovative way can convey and tell a story just as well as and at times even more fitting than words could possibly hope to achieve. Further to this, Planet Stan could be used in school as a different and light-hearted way in to introducing data handling involving bar charts, pie charts and Venn diagrams to children.

This is a highly entertaining ad-VENN-ture that’s loveably BAR-my with hilarity, humour and hap-PIE-ness in all the right places… surely making it a serious (or should I say, not-so-serious!!!) contender for the Lollies (Laugh Out Loud Book Awards) 2018.

It also shows how sibling rivalry can turn in to the best kind of brotherly love; the importance, inspiration and sense of awe and wonder that museums can hold for children and adults; and finding out that we have far more in common with each other, even when it can sometimes first seem like we don’t have much at all. And also one of life’s most (ahem!) important lessons. If all else fails, make sure you have cake. Cake-on-a-stick!

‘A highly entertaining ad-VENN-ture that’s loveably BAR-my with hilarity, humour and hap-PIE-ness in all the right places… surely making it a serious (or should I say, not-so-serious!!!) contender for the Lollies (Laugh Out Loud Book Awards) 2018.’

HUGE thanks to Elaine for writing such a super guest post about the power of infographics!

Big thanks also to Hannah Penny at OUP Children’s Books for sending me a copy of this beautiful book and inviting me to take part in Planet Stan’s blog tour!

Planet Stan is available to pre-order now online or from any good bookshop.

Mr E
📚

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Today I am also very fortunate in that I am delighted to welcome Elaine Wickson to The Reader TeacherHere, she shares with The Reader Teacher readers all about the infographic and shares some of her very own that’s she made about herself, which are guaranteed to make you chuckle! She explores their history right back to 1801 and also explains what Florence Nightingale had to do with pie charts.

Infographic: A visual representation of information or data, as a chart, diagram or image”.

What with Twitface, 500 telly channels, and phones for hands, it’s not hard to see why eye-catching infographics have become so widespread – they are perfect for short attention spans.

‘Infographic’ sounds like a word from our internet era, but it’s been in use since the 1960s, and an idea much earlier than that. William Playfair invented the pie chart in 1801, but look what Florence Nightingale did with it – she turned it into a rose chart (also known as a coxcomb), to show parliament they needed to sort out army hygiene.

Florence Nightingale Rose Chart

There are infographics all around us, like the London Underground map, and Ron Swanson’s Pyramid of Greatness. Take your pick from Quick Facts About Mars, Unravelling Death in Game of Thrones, or Tracking a Book from Idea to Completion. You can even relive the ENTIRE story of Star Wars Episode IV – dazzling, but it may result in “scrolling-wheel finger”.

I’m sure there’s a sciencey explanation as to why we process visual stuff more easily, after all pictures can speak a thousand words (although obviously it depends on the words).

Stanley Fox uses all kinds of infographics in Planet Stan, such as a Periodic Table to remind him what ‘elements’ his brother is made from, or a Lego Death Star Impact Chart which actually explains meteorite craters.

With that in mind, I thought I’d share some infographics about me!

 

I love pictures with stories – my eyes can’t wait to reach them as I scan the text. I have such fond memories of laughing at The Bash Street Kids in buzzy-bee summer hols; scrutinising panels of a fairy-tale comic book that belonged to my Mum; and losing hours with a just-right sunbeam and my 1001 Questions and Answers book (non-fiction is not just for Christmas). Also picture books. Sigh. Why do adults give up picture books?

My infographics are cheeky. They look like pictures, but squeeze in extra bits of story. Like the pie chart to describe someone’s character, or the recipes for disaster likely to befall you when out with a younger sibling.

So, if you were looking for a more sciencey explanation about the visuals lowdown – here’s an infographic about infographics: https://neomam.com/interactive/13reasons/

And if you want to fall down an infographic rabbit hole, take your pick from:

Elaine Wickson, author of Planet Stan

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Elaine Wickson writes stories in a Plotting Shed at the bottom of the garden, surrounded by foxes and fairy doors and more woodlice than she’s comfortable with. When not writing, she loves gazing at stars, trees, and books, preferably whilst eating cheese.
Planet Stan is the first in a series, about a boy who charts his life through infographics.

You can find out more about Elaine by visiting her website or following her on Twitter.